Here you go, Bri. Bring
the plates.
|
|
[ALF BELCHES]
|
|
Nice meal, Kate, even
though
|
|
the portions were
extremely small.
|
|
I'm sorry we only had
one pot roast.
|
|
Guess what, the most
exciting thing
|
|
just happened.
|
|
Scott Maynard wants to
keep
|
|
all of his band
equipment in our garage.
|
|
Goodness, that is
exciting.
|
|
Who's Scott?
|
|
He's that guy I told you
about from school.
|
|
- New boyfriend, huh?
|
|
- Not yet.
|
|
- Boyfriend?
|
|
- You should see him,
he's gorgeous.
|
|
Better looking than me?
|
|
Well, he's different.
|
|
He has darker hair.
|
|
And less of it.
|
|
I see.
|
|
Dad, he's got this
band...
|
|
...and they keep their
instruments
|
|
in his garage.
|
|
But Scott's dad's having
this garage sale.
|
|
If Scott doesn't get his
stuff out of there tonight...
|
|
...he'll sell it all for
$5.
|
|
So is it okay?
|
|
Is what okay? I missed
most of that.
|
|
Please, Dad.
|
|
He wants to come over tonight.
|
come over = to visit someone in the place where they are,
especially their house:
Why don’t you come over for dinner?
|
- Tonight?
|
|
- Yeah, tonight.
|
|
In about 15 minutes, if
Dad says yes.
|
|
I thought we had a date.
|
|
You and Lynn have a
date?
|
|
We're gonna redecorate
my room.
|
|
I'm sorry, ALF.
|
|
We'll have to redecorate
another time.
|
|
I see.
|
|
- Mom, can I borrow your
pink sweater?
|
|
- Your father hasn't
said yes yet.
|
|
Dad, Scott could've
called anybody
|
|
in school about this,
but he chose me.
|
|
I see.
|
|
Please, Dad, it's just
for two days.
|
|
I suppose Scott can keep
his instruments here.
|
|
Thanks, Dad. Mom?
|
|
- Yes, you can use the pink
sweater.
|
|
- Thanks.
|
|
Well, guess it's just me
and my swatches.
|
swatch = a small piece of cloth used as an example of a larger piece
|
Remember the decorating
rules.
|
|
The decorating consists
of a couple
|
|
of posters, maybe a coat
of paint.
|
|
Boy, you would have been
a lot of fun
|
|
during the Renaissance.
|
|
- How many more trips?
|
|
- Just a couple more.
|
|
I really appreciate
this.
|
|
Everybody in the band
does.
|
|
Well, if you invite me
to the next
|
|
G-Men show, we'll call it even.
|
call it even = to acknowledge or consider a situation or
exchange as being equal or equitable, as regarding debt, status, ability, a
contest, etc.:
I'll
pay the internet bill if you'll pay the electricity bill, and then we'll just
call it even.
|
We're not the G-Men anymore.
|
|
Some other band had that
name,
|
|
so we changed it. See?
|
|
Um, wasn't there already
a band called The Doors?
|
The Doors were an American rock band formed in 1965 in Los
Angeles
|
You're kidding. There
was?
|
|
Oh, but that's okay.
|
|
There's probably nobody
alive
|
|
who still remembers
them.
|
|
So how come a cute girl like you
|
how come = used when you want to know why something has
happened or why a particular situation exists:
How come you’re not at work today?
|
isn't out on Friday
night?
|
|
Oh, I am. Usually.
|
|
But, oh, you know...
|
|
...sometimes I like to
stay home...
|
|
...and, you know, see my
family.
|
|
Oh, I'm taking up your
time with your family...
|
|
No. No, I saw them.
|
|
- Listen, Lynn. I'm...
|
|
- ALF.
|
|
- What?
|
|
- Uh...
|
|
Nothing. Just ALF.
|
|
Oh.
|
|
Well, there's a
basketball game tomorrow night...
|
|
...and I was wondering
|
|
if you'd wanna go with
me.
|
|
- Me?
|
|
- Well, you don't have
to say yes.
|
|
- It's kind of short notice...
|
short notice = only a short time before something happens
|
- No.
|
|
- What?
|
|
- No, I mean yes, that
sounds like fun.
|
|
Great. How about 7:00?
|
|
- What's wrong?
|
|
- Nothing. Just a locust.
|
locust = a type of grasshopper that flies over wide areas in very large
groups called swarms, often destroying crops
|
All right, here. Put
this up.
|
|
What are you guys doing?
|
|
Wallpapering the
screens.
|
|
Wallpapering the screens
is not redecorating.
|
|
It's a matter of taste.
|
|
Take that down and throw
it away.
|
|
There you go. Take her
right down.
|
|
Take her outside and
throw it away.
|
|
BRIAN: Yes, Mom.
|
|
Kate, I need some
advice.
|
|
Here is some advice:
|
|
Don't ever do this
again.
|
|
No, no.
|
|
I need some advice about
women.
|
|
Women don't go for this kind of thing.
|
go for = to like a particular type of person or thing:
I don’t really go for horror films.
|
I got the message.
|
get the message = to understand what someone is trying to tell you,
even if they do not say it directly:
I don’t want to see him
any more. Why doesn’t he get the message?
|
I was wrong. Kill me.
|
|
Okay, ALF. What is it?
|
|
I'm asking you this,
Kate,
|
|
because you're a
beautiful woman.
|
|
I mean that, I really
do.
|
|
Well, I don't know if I
think of myself
|
|
quite like that, but...
|
|
Ha. Beautiful and modest
too.
|
|
What is it that you
wanna know?
|
|
Let's say a certain
friend was attracted
|
|
to a certain beautiful
woman...
|
|
Are you still writing
letters to Connie Chung?
|
|
No. It's someone a lot
closer than that.
|
|
Actually, it's someone
in this house.
|
|
Oh.
|
|
And you wanna know how
to win her over?
|
win smb over = to gain
the support or consent of (someone)
|
Yeah. I mean, let's dip into your past.
|
dip = go down
|
What did Willie do
|
|
to sweep you off your feet?
|
sweep smb off one’s feet = to have a strong effect on someone so that they
quickly become attracted to you:
He was hoping to sweep her off her feet, but she
just laughed.
|
Let me see.
|
|
Yeah. Yeah, we had been
going
|
|
together four or five
months...
|
|
...and this one day we were
talking
|
|
about food or
something...
|
|
...and I mentioned that
I liked
|
|
cream of mushroom soup.
|
cream of mushroom soup = a simple type of soup where a basic roux is
thinned with cream or milk and then mushrooms and/or mushroom broth are added
|
So the next day I go to
my car...
|
|
...and inside are 500
cans of cream of mushroom soup.
|
|
You're saying I should
|
|
do something pathetic?
|
pathetic = useless or not effective in an annoying way
|
It wasn't pathetic. It
was romantic.
|
|
What would you suggest
other than soup?
|
|
Oh, I don't know.
|
|
Flowers, candy.
|
|
How about a poem?
|
|
I mean, that's personal,
l...
|
|
A woman would love it...
|
|
...and it doesn't
involve wallpaper or glue.
|
|
A poem. That's perfect!
|
|
I was somewhat of a bard
on Melmac, you know.
|
|
You've written poems?
|
|
Ever hear of this one?
|
Ever hear…? = Did you ever hear…?
|
Jason, Jason, he's our
man
|
|
If he can 't do it,
nobody can
|
|
I thought that was Keats.
|
|
I'll start now.
|
|
There once was a young
man
|
|
From Venus
|
|
ALF!
|
|
- ALF.
|
|
- What?
|
|
I thought the rule was
you were to ask
|
|
before you use my tools.
|
|
Sorry. May I?
|
|
- Yes, you may.
|
|
- See? You're still in
charge.
|
|
- Why do you need the
tools for, anyway?
|
|
- I'm trying to fix
Scott's piano.
|
|
He must've broken it
|
|
when he dragged it in
here.
|
|
ALF, you have to turn it
on.
|
|
[PIANO PLAYS]
|
|
Oh.
|
|
Didn't you learn about
electronic music on Melmac?
|
|
Ancient history wasn't
my best subject.
|
|
What are you doing here,
anyway?
|
|
Well, I wrote a poem for
someone
|
|
and I want to put it to
music.
|
|
As you may or may not
know...
|
|
...many people think
|
|
I am musically inclined.
|
inclined = someone who is technically inclined, musically
inclined etc is good at or interested in technical work, music etc
|
Name three.
|
|
I don't think I have to
name names.
|
|
May I see the poem?
|
|
Take a look at me
|
|
And tell me what you see
|
|
Just another pretty face?
|
|
It's very amusing.
|
|
Then there's the chorus.
|
chorus = the part of a song that does not change and is repeated several
times
|
I can 't get no satisfaction
|
|
Shouldn't that be
|
|
"I can't get any
satisfaction"?
|
|
Forget it. That's an old
draft.
|
draft = something such as a plan, letter, or drawing that may have changes
made to it before it is finished:
I showed David a draft of the letter and he
suggested a few changes.
|
Now, let's wail...
|
wail = to shout or cry with a long high sound to show that you are in pain
or are very sad:
The baby wailed all night.
|
...in something in the key of D.
|
See the chart of music
keys here:
|
May I suggest key of E flat?
|
|
It's more euphonious.
|
|
Great. We need more
euphoniousness.
|
|
[SINGING] Take a look at me
|
|
And tell me what you see
|
|
Just another pretty
face?
|
|
[GAGGING]
|
|
- It's nice, huh?
|
|
- Oh, yeah. Yeah, it's de-Iovely.
|
"It's delightful,
it's delicious,
It's delectable, it's
delirious,
It's dilemma, it's
delimit, it's deluxe,
It's de-lovely".
|
Well, thank you. Thank
you.
|
|
Feel free to use that.
|
“Feel free to [do smth] = used for telling someone that they can do
something if they want to:
Feel free to contact us at any time.
|
I don't need any credit.
|
give smb credit for smth = to believe that someone is good at something or
has a particular good quality:
She’s a much better actor than people give her
credit for.
|
[WILLIE HUMMING]
|
|
I'll call you
|
|
if I ever audition for Hee Haw.
|
|
Yeah, now we're cooking.
|
"Now you're cooking!" = a phrase, often given in response, meaning that the
subject has switched to a more suitable or more efficient approach:
Alice: "Why are you still using that old
software? You should try out the new version."
Bob: "Hey, this is really nice; much better
than that crufty stuff we were using before."
Alice: "Now you're cooking!"
|
I put Brian to bed. He
didn't even
|
|
wake up when I took off
his shoes.
|
|
Mmm. It's so nice to
have a quiet moment.
|
|
I thought Lynn would be
home before now.
|
|
The game might've gone
into overtime.
|
|
[PHONE RINGS]
|
|
Oh, maybe that's her.
|
|
Hello. Oh, hello, Mrs.
Ochmonek.
|
|
What loud rock music?
|
|
From our garage?
|
|
I'll make sure that he
doesn't
|
|
do it again. Brian, I
mean.
|
|
Make sure that he
doesn't play his electric guitar...
|
|
...right, too loudly.
|
|
Or his saxophone.
|
|
Or his drums.
|
|
Good night, Mrs.
Ochmonek.
|
|
I have a good guess, but
you go first.
|
|
Well, when I left,
|
|
ALF was writing a song.
|
|
I think it might have
grown.
|
|
A song?
|
|
- Oh, no.
|
|
- What?
|
|
Willie, I think that ALF
wrote that song for me.
|
|
For you?
|
|
I might as well tell you this.
|
might as well = used for saying that it would not make any
difference if you did something else:
The meeting was a complete waste of time. I might
just as well have stayed at home.
|
ALF has a crush on me.
|
crush = a feeling of love and admiration for someone, often someone you
know you cannot have a relationship with:
It wasn’t really love, just a schoolgirl crush.
|
[LAUGHING]
|
|
- Well, that's not the
craziest thing ever.
|
|
- No, no.
|
|
I'm sorry. No, of course
it's not. No.
|
|
Let's just drop it, okay?
|
drop = to stop what you are doing in order to do something else:
He told me to drop everything and come over straight
away.
|
Besides, actually, I
know someone
|
|
who does have a crush on
you.
|
|
Actually, it's not a crush.
|
|
It's quite serious.
|
|
- Oh, really?
|
|
- Mm-hm.
|
|
- And you know
something?
|
|
- What?
|
|
ALF is in the garage and
Lynn is gone.
|
|
Brian's asleep.
|
|
We're...
|
|
We're all alone.
|
|
I'm not sure
|
|
I remember what this is
like.
|
|
Well...
|
|
...may I remind you?
|
|
- Willie.
|
|
- Yes, I'll wear the red
pajamas.
|
|
No, are you sure
|
|
that ALF is in the
garage?
|
|
Let's just for a moment
not think about ALF.
|
|
Let's say to ourselves,
there is no ALF.
|
|
There is no ALF.
|
|
Go for it, Willie.
|
Go for it! = used for encouraging someone to do something or
to try very hard
|
Yeah!
|
|
- What are you doing
here?
|
|
- Looking for Lynn.
|
|
She's still out with
Scott.
|
|
I see.
|
|
ALF, we've had
complaints from the neighbors.
|
|
Well, I'm not surprised.
|
|
She's setting a bad
example
|
|
for all the other
daughters.
|
|
How's the song coming?
|
|
It's not just a song,
it's a rock video.
|
|
ALF, you made a rock
video?
|
|
Yeah, and it wasn't
easy, either.
|
|
That equipment of yours
|
|
is hardly state of the art.
|
state of the art = state-of-the-art equipment or technology uses the
newest and most advanced ideas and features, it is modern, contemporary,
advanced
|
Willie, he made a rock
video.
|
|
Yeah, for Lynn.
|
|
You made it for Lynn?
|
|
Yeah.
|
|
I see.
|
|
What's the matter?
|
|
Nothing. Nothing at all.
|
|
Too much caffeine?
|
|
Will you try to show a
little sensitivity?
|
sensitivity = the quality of understanding how someone feels
and being careful not to offend them
|
Say, you're not really
upset because
|
|
ALF has a crush on Lynn,
are you?
|
|
- Yes, I am.
|
|
- Kate.
|
|
But it's not because it
isn't me.
|
|
I don't like the idea of
ALF
|
|
having a crush on our
daughter.
|
|
Well, it couldn't
possibly lead to anything.
|
|
Could it?
|
|
I hope not.
|
|
I'd like to be able to
show people
|
|
pictures of our grandchildren.
|
|
But as long as there's
no romantic involvement, I'm okay.
|
|
Well, does that go for
you and me
|
|
right now?
|
|
Not at all.
|
|
[LYNN LAUGHING]
|
|
Scott, you are so funny.
|
|
Singing into a parking meter
|
parking meter = a machine in the street that you put coins into
to pay for leaving your car there
|
like it was a
microphone.
|
|
Yeah, I guess it was
kind of cute.
|
|
And then when you tapped
|
|
the meter and said,
"Is this on?"...
|
|
...I thought I was gonna
die.
|
|
Well, I'd have been glad
|
|
to give you mouth-to-mouth.
|
mouth-to-mouth resuscitation = a way of making someone breathe again after they
have stopped, by blowing air into their mouth to fill their lungs
|
What a yutz.
|
yutz = a foolish, incompetent, awkward, or contemptible person (from the Yiddish
language)
|
You know, Lynn, I had a
nice time.
|
|
That's no joke.
|
|
Me too.
|
|
I really would like to
see you again.
|
|
Are you free next
Friday?
|
|
No.
|
|
- Who was that?
|
|
- Uh...
|
|
- My dad.
|
|
- Your dad?
|
|
He seemed like such a
nice guy.
|
|
ALF: Hey, zit face. Go home
|
zit = a small raised infected mark on your face
|
and make a Clearasil sandwich.
|
Clearasil is an American brand of skin care and acne
medication
|
Oh. Well, he's a little
tired.
|
|
ALF:
|
|
How about it, sequoia neck?
|
sequoia = an extremely tall tree that grows in the US, especially in
California
|
You gonna walk
|
|
or do I turn on the
hose?
|
|
I don't wanna get this
jacket wet.
|
|
- No, no. Scott.
|
|
- He sounds like he
means business.
|
|
Look, he may not even be
|
|
talking about you.
|
|
Maybe he's watching a
movie.
|
|
Or fighting with my mom.
|
|
He calls your mom
"sequoia neck"?
|
|
Well, not very often.
|
|
ALF:
|
|
Hit the road, Scott.
|
Hit the road! = to leave, or to start a journey
|
I think he means me,
Lynn.
|
|
See you.
|
|
Oh, hi. Who won the
game?
|
|
ALF, how dare you insult Scott?
|
insult = to say or do something offensive:
She has no right to insult us like that.
|
What is all this yelling
about?
|
|
I was just getting rid
of a vagrant.
|
vagrant = someone with no home or job who asks people for money
|
He made Scott leave.
|
|
If I hadn't scared the
guy away,
|
|
he would've tried to
kiss her.
|
|
I was hoping he would.
|
|
Well, just a small kiss.
|
|
That's the way it
starts.
|
|
First a small kiss...
|
|
...the next thing you
know, they're picking out drapes.
|
pick out = to choose
drapes = curtains made of heavy cloth
|
What are you talking
about?
|
|
I think I know.
|
|
- Close your robe,
Willie.
|
|
- Oh.
|
|
ALF, ALF...
|
|
...I think it's time we
discussed the facts of life...
|
facts of life = if you tell someone, especially a child, the
facts of life, you tell them about sex and how babies are born:
Parents are often embarrassed about telling their
children the facts of life.
|
...as they apply to you
and our teenage daughter.
|
|
Now, in case you don't
know,
|
|
girls Lynn's age date
teenage boys.
|
|
I've learned to accept
that and I'm afraid
|
|
you're gonna have to do
the same.
|
|
Fine. See if I care who
she dates.
|
|
And you can forget about
the song.
|
|
- What song?
|
|
- I said, forget it.
|
|
ALF wrote you a song.
|
|
And he made a video from
it.
|
|
ALF, you wrote me a
song?
|
|
Dad, can I talk to ALF
alone?
|
|
Yeah, sure.
|
|
And in the morning, will
you please call Scott...
|
|
...and tell him
|
|
I didn't mean those things
I said.
|
|
Tell him I didn't say
them.
|
|
Hey, get off my case, will you?
|
get off one’s case = to stop criticizing and annoying someone
|
I have not begun to get
on your case,
|
|
mister, and if you
think...
|
|
Dad.
|
|
"Get off my
case."
|
|
Who does he think he is?
|
|
The robe, Willie, the
robe.
|
|
ALF, can I see the
video?
|
|
No. I decided it's for
Connie Chung.
|
|
Are you sure I can't see
it?
|
|
Well, just once.
|
|
Turn on the VCR.
|
VCR = Video Cassette Recorder, a piece of equipment used in the past for
showing films recorded on video cassettes, recording television programmes
etc
|
ALF, that's just a
picture of the garage.
|
|
That's an establishing
shot.
|
|
Now pay attention.
|
|
[ROCK MUSIC PLAYING]
|
|
[SINGING]
Take a look at me
|
|
And tell me what you see
|
|
Just another pretty face?
|
|
Some clown from out of town
|
|
Who came to hang around
|
|
And look a little out of place
|
|
You say you wonder what on earth
|
|
I'm doing here
|
|
I'm only here to tell you, girl
|
|
I may be an unknown
|
|
From The Twilight Zone
|
|
But you're the one
|
|
Who 's out of this world
|
|
You're the one who 's out of this world
|
|
Sweet baby
|
|
You're the one
|
|
Who 's out of this world
|
|
I'm spinning in an orbit
|
|
I ain 't never been in
|
|
'Cause you're the one
|
|
Who 's out of this world
|
|
You're the one who 's out of this world
|
|
Sweet baby
|
|
You're the one
|
|
Who 's out of this world
|
|
I'm spinning in an orbit
|
|
I ain 't never been in
|
|
'Cause you're the one
|
|
Who 's out of this world
|
|
You're the one who 's out of this world
|
|
Sweet baby
|
|
You're the one
|
|
Who 's out of this world
|
|
I'm spinning in an orbit
|
|
I ain 't never been in
|
|
'Cause you're the one
|
|
Who 's out of this
|
|
You're the one
|
|
Who 's out of this
|
|
You're the one
|
|
Who 's out of this world
|
|
ALF, I don't know what
to say.
|
|
How about
"incredible"?
|
|
I can't believe you did
this.
|
|
Nobody has ever done
anything
|
|
this nice for me.
|
|
So you're going out with
me Friday
|
|
instead of Scott?
|
|
One thing has nothing
|
|
to do with the other.
|
|
That's an entirely
different subject.
|
|
I see.
|
|
Don't start "I seeing" me again.
|
Don't start "I seeing" me again. = Don’t tell me “I see” again and again.
|
I don't understand
|
|
why you're so mad at me.
|
|
Well, maybe it's because
|
|
I thought we...
|
|
We were...
|
|
Falling in love?
|
|
Yeah.
|
|
I do love you, ALF, but
not in that way.
|
|
In what way?
|
|
In a male-female
relationship kind of way.
|
|
- I see.
|
|
- ALF!
|
|
No, no, I really do.
|
|
I mean...
|
|
...I see that I'll have to
understand
|
|
that we're just friends.
|
|
Good friends. Special
friends.
|
|
I understand.
|
|
And how do you feel
about this?
|
|
I'll get used to it.
|
|
Thank you.
|
|
So we going out Friday
night or what?
|
|
Just kidding. Ha!
|
|
ALF, you're the one
|
|
that's out of this
world.
|
|
Pan the room and ready. Action!
|
pan = if a camera pans, or if you pan it, it moves sideways slowly to
film something else or to follow something that is moving
|
[SINGING ELTON JOHN'S "SATURDAY
|
|
NIGHT'S ALRIGHT FOR
FIGHTING"]
|
|
More emotion!
|
|
Okay, cut, cut.
|
Cut! = something that film directors say when they want the actors and
people making the film to stop for a short time
|
Now, that's where the
smoke pot's
|
|
gonna go off, okay?
|
go off = to explode
|
Gee, I don't know, ALF.
|
Gee! = used to express a reaction such as surprise or admiration
|
This is just supposed to
be
|
|
a little something for
Kate.
|
|
Don't think little.
|
|
There are no small
videos.
|
|
Just small directors.
|
|
- What're you guys
doing?
|
|
- Nothing.
|
|
- You're making a video,
aren't you?
|
|
- No.
|
|
Yeah. We are. I was
hoping
|
|
we'd surprise your mom.
|
|
Oh, she'll love it.
|
|
Are you guys using smoke
pots, stuff like that?
|
|
Yeah. And computer
animation.
|
|
- Animation?
|
|
- How about rear projection?
|
rear projection effect =
|
- Dad could be
water-skiing.
|
|
- Or swimming in lava.
|
|
In lava?
|
|
This is gonna be great.
|
|
Good luck, Dad.
|
|
I can't wait to see it
when it's done.
|
|
All right, come on. Back
to work.
|
|
And action!
|
Action! = a command given by a film director to indicate that filming is to
begin
|
Two, three, four.
|
|
[SINGING "SATURDAY NIGHT'S
|
|
ALRIGHT FOR
FIGHTING"]
|
|
ALF, I think I'm just
gonna
|
|
stick with the red pajamas.
|
stick with smth = to continue to do or use something, and not
change it
|
I'll bring the camera.
|
|
[SINGING] I'm spinning in an orbit
|
|
I ain't never been in
|
|
'Cause you're the one
|
|
Who 's out of this
|
|
You're the one
|
|
Who 's out of this
|
|
You're the one
|
|
Who 's out of this world
|
Transcripts of TV series in English. Learn English watching the episodes! Difficult words, idioms, phrasal verbs are explained. If you have any questions, feel free to ask me.
ALF. Season 1, episode 8 (uncut version)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment